
Frere-Jones, Sasha. “A Paler Shade of White – How indie rock lost its soul.” The New Yorker 28 February 2008, 28 February 2008 <http://www.newyorker.com/arts/critics/musical/2007/10/22/071022crmu_music_frerejones?currentPage=2>
Sasha Frere-Jones, a staff writer and pop-music critic in 2004 for The New Yorker, laments the loss of “soul” in indie rock music in this article and writes from a music insider’s view or at least an indie rock fan’s view. He paints detailed a picture of what an indie concert he attended and named many popular bands and their musicians to open and it was all lost on me. It was not until quite a bit later in the article that I found what indie rock music was. I gained more perspective on his point of what he meant by “A Paler Shade of White” as he detailed rock and roll’s history of white people appropriating black people’s music. He goes on to describe how the political correctness of modern culture has changed the attitude of appropriating the black man’s music, citing that when rappers were to become popular, very few white musicians were willing to emulate the black rappers because of that view of co-optation. He further bemoans the loss in indie rock music of substance regarding musical style, voicing and lyrics. This he attributes to social progress of the black musician who has now risen to equal footing with white musicians. The appropriating of the blues, jazz and soul music by whites generated a dynamic mixing in the creation of rock and roll. His view is political correctness has now drawn a definite line to make the whites’ whiter, the blacks’ blacker and mixing the two a risk and a lost to the vitality of music today.
Sasha Frere-Jones, a staff writer and pop-music critic in 2004 for The New Yorker, laments the loss of “soul” in indie rock music in this article and writes from a music insider’s view or at least an indie rock fan’s view. He paints detailed a picture of what an indie concert he attended and named many popular bands and their musicians to open and it was all lost on me. It was not until quite a bit later in the article that I found what indie rock music was. I gained more perspective on his point of what he meant by “A Paler Shade of White” as he detailed rock and roll’s history of white people appropriating black people’s music. He goes on to describe how the political correctness of modern culture has changed the attitude of appropriating the black man’s music, citing that when rappers were to become popular, very few white musicians were willing to emulate the black rappers because of that view of co-optation. He further bemoans the loss in indie rock music of substance regarding musical style, voicing and lyrics. This he attributes to social progress of the black musician who has now risen to equal footing with white musicians. The appropriating of the blues, jazz and soul music by whites generated a dynamic mixing in the creation of rock and roll. His view is political correctness has now drawn a definite line to make the whites’ whiter, the blacks’ blacker and mixing the two a risk and a lost to the vitality of music today.